Jonathan received this statement through the post, delivered to Georgie's house.

Statement Begins Edit

Chloe Ashburt works in a large department store called Fanton's which is putting her through Art School. She enjoyed getting involved in the displays in the windows and shop floors and her line manager, Lana, usually allowed her to do so.

One of the displays that Chloe worked on was for the autumn collection with the theme 'Nights at the Circus', which included various manaquins, one dressed up as a ring mistress in a bright red top hat and whip. Chloe was interested in figure drawing and Lana would allow her to stay late and draw the maniquins. When the Circus displays went up, Chloe spent many evenings drawing them.

When Chloe came into work one morning she discovered that the ringmistress maniquin had been replaced with another, almost identical, manaquin. It had longer arms, a more twisted neck and a crack by its forehead. None of her colleagues recognised it, however. It didn't fit with the other manaquins and Chloe always felt like it was watching her.

Lana called Chloe into her office one morning, asking if she'd been involved in any other artistic pursuits. Chloe said that she had stayed late to draw. When asked, Chloe confirmed that she hadn't seen anyone last night, nor had she moved anything. Lana showed her some photos of one of the autumn displays.

The manaquin had been reassembled, torso upside down and arms jutting out of its pelvis, holding its head up which had a bright red pompom glued to the top. It had been dressed in red and purple pyjamas and had a crude smile painted on its face. It reminded Chloe of a clown. Lana believed that Chloe wasn't involved but said that someone who worked for Fanton's must be involved as they had avoided any security cameras.

Lana started a rota for people who would close up the shop. Chloe noticed that those who closed up were jumpy the next day. After a few weeks, Lana had to close up herself: Jan had a doctor's appointment and Lee had a family emergency. Chloe convinced Lana to let her stay with her when she closed up to do some quick drawings and her manager agreed.

Chloe went to get her drawing equipment and realised she couldn't hear Lana. She went to draw the ring mistress, but was greeted with an empty display, bar a torn wodge of paper mache and a headless arcobat manaquin. She heard Lana calling to her in a way that made Chloe think she was being forced to do so. Chloe called 999 as she approached the store cupboard that Lana's voice was coming from. The lights didn't work, and she could just see a tall, thin figure which moved jerkily towards her. Chloe's muscles seized up, and she dropped her phone as the manaquin pressed a plastic finger to her lips, whispering "Sshhh."

The next thing Chloe knew the police arrived who had found Lana's body. CCTV exhonorated Chloe, and the only blood found on her was a single line traced down her lips. The police believed that a killer had been stalking Fanton's and fled when Chloe called the police.

Post-Statement Follow-Up Edit

Jonathan is finding it difficult to follow up on this case without the resources of the Magnus Institute. Lana had been strangled and partially skinned in the store cupboard of Fanton's. Jonathan was able to find a picture of the service entrance to the building, which was assumed to be used by the murderer, which showed a Breekon & Hope delivery van parked nearby.

Jonathan wasn't able to find much on Chloe, other than bringing an unfair dismissal case against a previous employer, claiming it was motivated by her dwarfism.

Jonathan suspects that these mannequins are tied to The Stranger in some way and Breekon & Hope may also be linked to it as well, bringing skin to a taxidermy in MAG 54.

The ex-archivist is not sure who sent this statement: there's no revelations and he wonders if it's a message, that hiding won't bring any answers.